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Fahrenheit 451, by Ray Bradbury
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Ray Bradbury’s internationally acclaimed novel Fahrenheit 451 is a masterwork of twentieth-century literature set in a bleak, dystopian future.
Ray Bradbury’s internationally acclaimed novel Fahrenheit 451 is a masterwork of twentieth-century literature set in a bleak, dystopian future.
Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden.
Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television “family.” But then he meets an eccentric young neighbor, Clarisse, who introduces him to a past where people didn’t live in fear and to a present where one sees the world through the ideas in books instead of the mindless chatter of television.
When Mildred attempts suicide and Clarisse suddenly disappears, Montag begins to question everything he has ever known. He starts hiding books in his home, and when his pilfering is discovered, the fireman has to run for his life.
- Sales Rank: #18874 in Books
- Brand: Bradbury, Ray
- Published on: 2012
- Released on: 2012-01-10
- Original language: English
- Number of items: 1
- Dimensions: 8.44" h x 1.20" w x 5.50" l, .60 pounds
- Binding: Hardcover
- 176 pages
Amazon.com Review
In Fahrenheit 451, Ray Bradbury's classic, frightening vision of the future, firemen don't put out fires--they start them in order to burn books. Bradbury's vividly painted society holds up the appearance of happiness as the highest goal--a place where trivial information is good, and knowledge and ideas are bad. Fire Captain Beatty explains it this way, "Give the people contests they win by remembering the words to more popular songs.... Don't give them slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy."
Guy Montag is a book-burning fireman undergoing a crisis of faith. His wife spends all day with her television "family," imploring Montag to work harder so that they can afford a fourth TV wall. Their dull, empty life sharply contrasts with that of his next-door neighbor Clarisse, a young girl thrilled by the ideas in books, and more interested in what she can see in the world around her than in the mindless chatter of the tube. When Clarisse disappears mysteriously, Montag is moved to make some changes, and starts hiding books in his home. Eventually, his wife turns him in, and he must answer the call to burn his secret cache of books. After fleeing to avoid arrest, Montag winds up joining an outlaw band of scholars who keep the contents of books in their heads, waiting for the time society will once again need the wisdom of literature.
Bradbury--the author of more than 500 short stories, novels, plays, and poems, including The Martian Chronicles and The Illustrated Man--is the winner of many awards, including the Grand Master Award from the Science Fiction Writers of America. Readers ages 13 to 93 will be swept up in the harrowing suspense of Fahrenheit 451, and no doubt will join the hordes of Bradbury fans worldwide. --Neil Roseman
From Publishers Weekly
Starred Review. After years of working as a fireman--one who burns books and enjoys his work--Guy Montag meets a young girl who makes him question his profession and the values of the society in which he lives. Stephan Hoye's narration is perfectly matched to the subject matter: his tone is low and ominous, and his cadence shifts with the prose to ratchet up tension and suspense. He produces spot-on voices, and his versions of the gruff Captain Beatty, the playful Clarisse, and the fearful professor Faber are especially impressive. A Ballantine paperback. (Aug.)
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Review
“Brilliant . . . Startling and ingenious . . . Mr. Bradbury’s account of this insane world, which bears many alarming resemblances to our own, is fascinating.” —Orville Prescott, The New York Times
“A masterpiece . . . A glorious American classic everyone should read: It’s life-changing if you read it as a teen, and still stunning when you reread it as an adult.” —Alice Hoffman, The Boston Globe
“The sheer lift and power of a truly original imagination exhilarates . . . His is a very great and unusual talent.” —Christopher Isherwood, Tomorrow
“One of this country’s most beloved writers . . . A great storyteller, sometimes even a mythmaker, a true American classic.” —Michael Dirda, The Washington Post
Most helpful customer reviews
533 of 569 people found the following review helpful.
Metaphor and Reality collide
By Ammy Woodbury
When I began teaching three years ago, I was required to teach this book. Having never read it before, I began reading it just before our winter break. As I soaked up the story of the book, I realized my students were already living it. They begged me daily, "Ms. Hill, why do we have to read this stupid book? Can't we just watch the movie?" As I got deeper and deeper into the book, I grew increasingly depressed about the future of the world.
Then I realized: Bradbury has given me a picture of what might be, if we are not careful. His book written nearly fifty years ago peers just twenty minutes into the future now. Technological developments he had no name for then are very real today. For example, his seashell radio is clearly the walkman many of us see pressed in the ears of teenagers daily. TV screens are growing larger and larger and flat screens with HDTV are on the market now. The next step is clearly the full wall television of Mildred's parlor. Robot dogs like Aibo are just a hop skip and a jump away from the dreaded hound.
But this is a future preventable. Maybe. But if popular culture is constantly valued above thoughtful consideration and education, we'll march right into a land of burning books and intellectualism on the run.
Bradbury's book made me feel defiant. They could never take my books from me. They could burn me with them if they want, but that's what it'll take before I give up my freedom to think for myself.
And as for my students, they remind me every day what an uphill battle I have been sent to fight.
363 of 386 people found the following review helpful.
Wonderful, and still relevant, novel
By A Customer
This book is absolutely amazing. It describes a time in the future where censorship prevails and minds are caged. Nobody has original thoughts; with the abolishing of books creativity was lost as well. Guy Montag, the protagonist, is a fireman (firemen burn books in this story) who has to fight to pull himself from the grip of an overpowering government and tradition, only to see that it is all useless (why teach to people who can't understand?). The novel shows what censorship can do to a society, and why individuals must not accept the norm without questioning its integrity and implications. Overall, read this book immediately and apply what you learn from it into everyday life.
By the way, ignore all of the reviewers that gave the book a low score because they could not understand the plot and symbolism. Their comments are similar to saying Shakespeare's works are poorly written because he uses odd vocabulary and the plot is too complex. Unfortunately, these people make of the mass of society, which is why these reviews are commonplace. (The funny thing is, the novel specifically targets these kind of people...)
455 of 501 people found the following review helpful.
Fiction? Really?
By anybody else or
"Fahrenheit 451" is a simply great book. Yes, it's quite distressing and unpleasant to read - because what Bradbury describes is much closer to truth than we'd like it to be. And that is precisely what makes the reality of the book so alike our own - it's more pleasant not to think about such things, and therefore one can merely say the book doesn't suit one's taste and go 'get entertained' in front of the TV.
The disturbing thing about the book is that, unlike many other books that deal with the distant future, "Fahrenheit 451" (written in 1953) hasn't been proved wrong simply by time itself. Not at all. Actually, what is shocking to realize is that we've come quite close to the society Bradbury writes about. Perhaps books haven't been banned yet, but it is indeed the entertainment industry that controls people's minds, the political correctness has reached ridiculous levels, there are ads everywhere and now we even have Segways so that we don't have to walk anywhere... And, of course, we can get a thousand page long classics shortened to a hundred pages - or, better yet, simply watch the movie.
The book also has other qualities besides making one think (which is, judging by some other reviews, one of its biggest downsides). One cannot but admire the brilliant way Bradbury uses absurd and creates a completely surreal feeling by using the methods of expressionism to describe the feelings and thoughts of the main character.
Bradbury sure had things to write about - and that can be proved by even something as simple as the fact I've spent the last half an hour writing a review on the Internet rather than reading a good book or looking at the world...
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