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"[The authors explain] gently yet firmly exactly how the internet threatens established ways and what can and cannot be done about it. Their book should be required for anyone who wishes to believe that nothing much has changed." -- The Wall Street Journal

"Packed with examples, from the nimble-footed who reacted quickly to adapt their businesses, to laggards who lost empires." -- Financial Times

Traditional network television programming has always followed the same script: executives approve a pilot, order a trial number of episodes, and broadcast them, expecting viewers to watch a given show on their television sets at the same time every week. But then came Netflix's House of Cards. Netflix gauged the show's potential from data it had gathered about subscribers' preferences, ordered two seasons without seeing a pilot, and uploaded the first thirteen episodes all at once for viewers to watch whenever they wanted on the devices of their choice.

In this book, Michael Smith and Rahul Telang, experts on entertainment analytics, show how the success of House of Cards upended the film and TV industries -- and how companies like Amazon and Apple are changing the rules in other entertainment industries, notably publishing and music. We're living through a period of unprecedented technological disruption in the entertainment industries. Just about everything is affected: pricing, production, distribution, piracy. Smith and Telang discuss niche products and the long tail, product differentiation, price discrimination, and incentives for users not to steal content. To survive and succeed, businesses have to adapt rapidly and creatively. Smith and Telang explain how.

How can companies discover who their customers are, what they want, and how much they are willing to pay for it? Data. The entertainment industries, must learn to play a little "moneyball." The bottom line: follow the data.

• Sales Rank: #33814 in Books
• Brand: imusti
• Published on: 2016-08-05
• Original language: English
• Dimensions: 9.00" h x .56" w x 6.00" l, .0 pounds
• Binding: Hardcover
• 232 pages

Features

• Mit Press

Review

Streaming, Sharing, Stealing is a must-read for anyone wanting to understand how technology is reshaping the entertainment industries.

(Chris Anderson, CEO, 3D Robotics, author of The Long Tail)

Smith and Telang have long been recognized as leading experts on the economics of the entertainment industry. Now they have distilled their findings from a decade of research about how the Internet is disrupting entertainment into a readable, authoritative, and insightful book. Anyone who wants to understand the uneasy relationship between tech and entertainment should read this book.

(Hal Varian, Chief Economist, Google)

This book should spark a revolution of evidence-based decision making across the entertainment industries.

(David Boyle, EVP Insight at BBC Worldwide; formerly with HarperCollins and EMI Music)

Smith and Telang are at the forefront of data analytics in the entertainment industry, and have produced a clear-eyed explanation of why big data are changing the industry, and how firms can use data analytics to profit from this change.

(Matt Geiser, CTO, Legendary Pictures)

Streaming, Sharing, Stealing identifies the many ways technology is changing the entertainment business, and how these changes are shifting the foundations of our industry. If you work in publishing, music, or film, you need to read this book.

(Ruth Vitale, CEO, CreativeFuture)

Streaming, Sharing, Stealing examines the rise of data-driven marketing and the ability of artists to control content creation and distribution, which is completely disrupting entertainment industry norms. A must-read for any content creator.

(David A. Bossert, producer and creative director at The Walt Disney Studios)

[The authors explain] gently yet firmly exactly how the internet threatens established ways and what can and cannot be done about it. Their book should be required for anyone who wishes to believe that nothing much has changed.

(The Wall Street Journal)

About the Author

Michael D. Smith is Professor of Information Systems and Marketing at Carnegie Mellon University's Heinz College, where Rahul Telang is Professor of Information Systems and Management. Smith and Telang are Codirectors of the Initiative for Digital Entertainment Analytics (IDEA) at Carnegie Mellon.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Thoughtful and insightful
By Ron H
Smith and Telang use extensive research to shed light on consumer behavior in the entertainment industry. The book tells the stories of different elements of the entertainment industry (movies, music, books, and even gambling) and the impact of comprehensive consumer data and technology on market strategies. The journey of the past 10-20 years of technology advancement and its impact on the evolution of well-known industries make the reading both familiar and fun. The authors do a remarkable job explaining complex concepts, integrating themes and delivering a path forward.

1 of 1 people found the following review helpful.
Insightful and important
By C. Chubb
Tech advances have changed our world radically over the last decade and are changing it faster still. Through this impeccably researched book, besides understanding how published music and movies & TV businesses have changed, we can get profound insights into how much power we as individuals have given to Big Data companies, how our society, indeed our politics, or democracy is being changed under our noses.

1 of 1 people found the following review helpful.
Great introduction to the world of data driven entertainment.
By Richard Mitchell
Data will drive much of the entertainment industry of the future. Customer driven content is a great idea, but it's always more fun to be surprised. The old studio "Gut Feeling" will always produce the real block buster.

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• Sales Rank: #2016446 in Books
• Published on: 2004-01-19
• Binding: Paperback

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• Sales Rank: #10320154 in Books
• Published on: 1994-02
• Format: Abridged
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x 8.50" w x .75" l,
• Binding: Paperback
• 448 pages

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Filippo Brunelleschi's few but seminal buildings have stood as touchstones of a 'return to Antiquity' in the Florentine era since his own day. Their quiet balance and perfection have fascinated and delighted generations of architecture students. Howard Saalman offers here a definitive modern study of Brunelleschi's buildings, based on detailed archaeological investigation of the monuments and new exhaustive research in the Florentine archives. Saalman reassesses Brunelleschi's architectural work in the context of the political, economic, and religious environment of early fifteenth-century Florence. He reexamines Brunelleschi's personal style of designing details and of managing the quantity and disposition of light in his metrically and geometrically proportioned spaces. Saalman devotes much attention to the role of Brunelleschi's leading patrons, the Barbadori in their chapel in Santa Felicita, Cosimo de'Medici at San Lorenzo, Andrea Pazzi at the chapter house of the Pazzi in the convent of Santa Croce, and the Scolari at the Angeli rotunda. The picture of Brunelleschi that emerges confirms earlier views of him as a traditionalist with a new language. But readers will find here a new dimension of historical precision and clarity in the definition of this much studied architect. Clear lines of demarcation are drawn between the work of Brunelleschi and that of his major contemporaries such as Michelozzo di Bartolomeo and, in particular, Leon Battista Alberti. Saalman gives a significantly new view of Brunelleschi, seeing him less as a revolutionary innovator than as a model of the self-trained professional brought up in the aesthetic and pragmatic traditions of late Trecento Florence and an artist-engineer-architect in the service of a dynamic evolving political organism outgrowing the trappings of a medieval commune as it competed with other regional powers of its time.

• Sales Rank: #2580514 in Books
• Brand: Brand: Pennsylvania State Univ Pr (Txt)
• Published on: 1993-10-01
• Original language: English
• Number of items: 1
• Dimensions: 11.50" h x 1.25" w x 8.50" l, 5.08 pounds
• Binding: Hardcover
• 470 pages

Features

• Used Book in Good Condition

About the Author
Howard Saalman is Andrew Mellon Professor of Architecture at Carnegie Mellon University and author of several books, including Filippo Brunelleschi: The Cupola of Santa Maria del Fiore (Philip Wilson, 1980) and an annotated edition of The Life of Brunelleschi by Antonio Manetti (Penn State, 1970).

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0 of 0 people found the following review helpful.
Excellent book!
By Filomena Daleandro
Scholarly tome! A classic! Excellent book!!!

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Prepare to be sucked into a tale of daring invention, personal tragedy, wanton destruction and brilliant creative minds…

"While in reality, this is a work of non-fiction, recounting true events and factual details, it captivates and engages readers like a fantasy story." – Airgates Attraction News

Two hundred years ago, a wealthy earl began the transformation of a barren patch of land in rural Staffordshire into the site of a stunning gothic mansion surrounded by eye-wateringly beautiful gardens. Mocked and ridiculed by his peers for his strange tastes and outlandish ideas, he nevertheless succeeded in attracting people from far and wide to come and marvel at his creations.

Less than 50 years later, the house stood desolate and empty. The genius architect who had helped the earl’s successor complete his vision lay dead at 40, having spent many of his final months incarcerated in London’s brutal Bedlam mental asylum. How had the mighty fallen so far, so fast?

It didn’t end there. The earl’s descendants fought bitterly over Alton Towers – and with each other – until finally the near-ruined property was sold into private hands in the 1920s. In “Tales from the Towers”, you can experience what it was like to visit the estate in its early years as a tourist attraction, when spectacular fetes, fairground rides and exotic animals were all part of the appeal.

As well as documenting – for the first time – the full and fascinating history of Alton Towers, “Tales from the Towers” also explains exactly how the park’s most popular rides – such as Nemesis, Oblivion and The Smiler – were created. It even takes an in-depth look at rides that were designed for the park but never built, enabling you to take a voyage of discovery and imagine what might have been.

What reviewers say about “Tales from the Towers”

"This excellent book may call itself the UNOFFICIAL story behind Alton Towers, but actually it has the merit to become the OFFICIAL story. It is meticulously researched, well-written, and highly insightful. I had assumed that I would find within the sections of the story that involved my work many inaccuracies and myths, but nothing could be further from the truth. It tells the story exactly as I remember it happening!" - John Wardley, creator of Nemesis, Oblivion and Air

"This is a book that anyone interested in Alton Towers should get their hands on." – Adam Perry, AltonTowersMemories.net

"The book adds a new depth to the Alton Towers experience, and is a must-read for any park fan." – Airgates Attraction News

"The level of detail about the park is incredible, everyone will enjoy it." – RideRater.co.uk

Grab your copy now!

“Tales from the Towers” is available in paperback format, or you can download it instantly to your Amazon Kindle or on your tablet or smartphone. You can even start reading right away for FREE by clicking the “Look Inside” button above or by downloading a sample to your Kindle.

What are you waiting for? Start reading now and enjoy an adventure through time as you discover how Alton Towers developed into a place that has entertained tens of millions of people over nearly two centuries.

• Sales Rank: #4431219 in Books
• Published on: 2013-10-10
• Original language: English
• Dimensions: 8.50" h x .78" w x 5.50" l,
• Binding: Paperback
• 342 pages

About the Author
Nick Sim is the owner and editor of ThemeParkTourist.com, the web's leading source of news, reviews and discounts for theme parks all over the world. Since Nick posted the first article in 2009, the site has grown to attract millions of readers every year. Having covered theme parks for the website on a daily basis for several years, Nick is in a unique position to share his insight on the industry through his books. He uses extensive research, interviews and site visits to build up a picture of this history of the parks that he writes about. Nick lives in Ipswich, England with his wife Natalie and son Steven.

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[D533.Ebook] Fee Download Radical Artifice: Writing Poetry in the Age of Media, by Marjorie Perloff

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How the negotiation between poetic and media discourses takes place is the subject of Marjorie Perloff's groundbreaking study. Radical Artifice considers what happens when the "natural speech" model inherited from the great Modernist poets comes up against the "natural speech" of the Donahue "talk show," or again, how visual poetics and verse forms are responding to the languages of billboards and sound bytes. Among the many poets whose works are discussed are John Ashbery, George Oppen, Susan Howe, Clark Coolidge, Lyn Hejinian, Leslie Scalapino, Charles Bernstein, Johanna Drucker, and Steve McCaffery. But the strongest presence in Perloff's book is John Cage, a "poet" better known as a composer, a philosopher, a printmaker, and one who understood, almost half a century ago, that from now on no word, musical note, painted surface, or theoretical statement could ever again escape "contamination" from the media landscape in which we live. It is under his sign that Radical Artifice was composed.

• Sales Rank: #1389236 in Books
• Published on: 1994-06-25
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .80" w x 6.00" l, .93 pounds
• Binding: Paperback
• 264 pages

From Library Journal
Perloff here explores electronic/mediaspeak avant-garde art, looking for poetic meaning among the paradoxes of high art conflated with popular culture. Composer and polymath John Cage argues that poetry finds its true context in the media that "occupy a large part of our verbal, visual, and acoustic space." The "hyperreal" imagery of John Ashbery and Charles Bernstein as well as Phil Donahue's talk show and ads for Nissan Infiniti "challenge poetic discourse to deconstruct rather than to duplicate" reality. In the face of a "coming to awareness of the mind in the face of the endless information glut," Perloff greets the "changing face of common intercourse" with sensitive readings of difficult texts. Amid impenetrable "anagram, paragram, collage, overprint . . . and mesostic text," Perloff is determined to remain sane. Recommended for specialized collections.
- Frank Allen, West Virginia State Coll., Institute
Copyright 1992 Reed Business Information, Inc.

From the Back Cover
The more radical poetries today are known by their admirers and detractors alike for their extreme difficulty, a difficulty, Marjorie Perloff argues, dependent less on the recondite imagery and obscure allusion one associates with early modernism than on a large-scale deconstruction of syntax and emphasis on morphology and pun, paragram and paratext. She suggests this new "non-sensical" poetry cannot be explained away as some sort of pernicious fad, designed to fool the gullible and flatter the pretentious; it is, on the contrary, an inevitable--and important--response to the wholesale mediaization of postmodern culture in the United States. But the conventional alienation model, the still-dominant myth of the sensitive and isolated poet, confronted by the hostile mass media, is no longer adequate. On the contrary, Perloff argues, we must recognize that poetry today, like the visual arts and theater, is always contaminated by media discourse; there is no escape into some bucolic, purer realm. What this means is that poetry actively engages the communication models of everyday discourse, producing language constructions that foreground the artifice of the writing process, the materiality of writing itself. How the negotiation between poetic and media discourses takes place is the subject of Marjorie Perloff's groundbreaking study. Radical Artifice considers what happens when the "natural speech" model inherited from the great modernist poets comes up against the "natural speech" of the Donahue "talk show", or again, how visual poetics and verse forms are responding to the discourse of billboards and sound bytes. Among the many poets whose works are discussed are John Ashbery, GeorgeOppen, Susan Howe, Clark Coolidge, Lyn Hejinian, Leslie Scalapino, Charles Bernstein, Johanna Drucker, and Steve McCaffery. But the strongest presence in Perloff's book is a "poet" better known as a composer, a philosopher, a printmaker, a polymath, one who understood, almost half a century ago, that from now on no word, no musical note, no painted surface, no theoretical statement could ever again escape "contamination" from the media landscape in which we live. That poet is John Cage and it is under his sign that Radical Artifice was composed.

About the Author
Marjorie Perloff is professor of English emerita at Stanford University and the Florence R. Scott Professor of English Emerita at the University of Southern California. She is the author of many books, including, most recently, Poetics in a New Key and Unoriginal Genius, also published by the University of Chicago Press.

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Poetry aficionados
By Jon D. Jaramillo
If you are poet this book is a must read.

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• Sales Rank: #4545831 in Books
• Published on: 1990
• Binding: Paperback
• 76 pages

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